Jon M. Chu Addresses Criticism of Wicked Color Palette and Vision for Oz

Director Jon M. Chu spoke out about the colour grading of his latest film, Wicked. This musical adaptation has faced criticism since its initial promotional materials were released. Many fans and critics compared its muted color palette to the vibrant technicolor of The Wizard of Oz. However, Chu has a clear vision for why he chose this aesthetic.

New Vision for Oz

Wicked, which stars Cynthia Erivo as Elphaba and Ariana Grande as Glinda, has been a highly anticipated film. It is based on the Broadway musical that tells the backstory of the Wicked Witch of the West. While the film has received praise for its performances and storytelling, its color grading has sparked debate.

In an interview with The Globe and Mail, Chu explained his artistic choice. He stated that he wanted to create a real and immersive environment in Oz. “If it was a fake place, if it was a dream in someone’s mind, then the real relationships and stakes wouldn’t feel real,” he said. By using a desaturated color scheme, Chu aimed to ground the story in reality.

The Impact of Color Choices

Chu’s decision to move away from the “glorious technicolor” look has been met with mixed reactions. Critics noted that while The Wizard of Oz used vibrant colors to signify magic and wonder, Wicked opts for a more subdued palette. This choice reflects the darker themes present in the story, particularly regarding Elphaba’s journey.

The director emphasized that there is still color throughout Wicked. He mentioned that the film includes beautiful costumes and sets, particularly for Glinda, who wears bright pinks. However, he believes that the overall muted tones serve a narrative purpose. The duller colors symbolize the impact of the Wizard’s rule over Oz, where magic is suppressed.

Creating an Authentic Experience

Chu elaborated on his vision for Oz during his interview. He wanted audiences to feel the “dirt” and “wear and tear” of the land. This approach contrasts sharply with previous depictions of Oz as a fantastical realm filled with bright colors and whimsical designs. “We want to immerse people into Oz to make it a real place,” he explained.

To achieve this authenticity, Chu utilized practical sets and natural lighting during filming. He shot many scenes outdoors at Pinewood Studios in the UK, using sunlight as a primary light source. This method allowed for vast landscapes that contribute to the film’s realistic feel.

Response from Fans and Critics

Despite Chu’s explanations, some fans remain critical of the color grading. They argue that it detracts from the magical essence expected from a story set in Oz. However, others appreciate this new interpretation as an opportunity to explore deeper themes within the narrative.

Wicked opened to impressive box office numbers, grossing over $114 million during its debut weekend. Critics have praised its performances and musical numbers but continue to discuss its visual style. The film’s success indicates that audiences are willing to embrace this fresh take on a beloved story.

As Wicked continues to perform well at theaters, Chu remains focused on telling Elphaba’s story authentically. He believes that by presenting Oz in this way, viewers can better understand the characters’ struggles and triumphs.

The sequel to Wicked is already in development, set to release on November 21, 2025. Fans are eager to see how Chu will further explore this world and its characters in future installments.

As discussions about color choices continue among fans and critics alike, one thing is clear: Wicked is not just another adaptation of a classic tale; it is an exploration of themes that resonate with audiences today. With its successful opening and ongoing conversations about its artistic choices, Wicked is sure to leave a lasting impact on viewers for years to come,